에디토리얼 제목은 Different perspectives on music-making

뒷부분 가져왔어요
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Some of this I explored in a discussion I chaired, my panellists drawn from broadcasting, an ensemble and a label, all sharing their fascinating perspectives rooted in experience of expanding what, beyond the foundational roots of the traditional album, ‘recording’ can mean. Some of the subjects we examined – from CDs to playlists, pre-release tracks to videos – have featured regularly our pages. Our previous two cover artists alone have thrown wide open how we define recording: pianist Yunchan Lim’s multifaceted online presence (competition streams, YouTube success, traditional album); and conductor Dalia Stasevska’s monthly addition to her innovative mixtape recording project. The perspective they – or the Deutsche Kammerphilharmonie, the Elbphilharmonie, or this month’s cover artist the brilliant Baroque violinist Rachel Podger – bring, is that what recording means can be as richly varied as classical music itself. And that is something to celebrate.

에디토리얼은 아마 구글에서도 검색이 안될 거에요 이 에디토리얼이 그라모폰 잡지의 요약본이고 잡지 전체를 읽지 않는 사람도 커버스토리와 에디터스 초이스 이달의 앨범 에디토리얼은 읽기 때문에 여기 언급된 것 자체로 상당한 의미가 있다고 봅니다 (그러고보니 지난달에 이 네가지 모두 윤찬림이..)