If we like a painter’s work, it is perhaps becausewe judge that he or she has selected the featuresthat we believe to be the most valuable within aparticular scene. There are selections so acute thatthey come to define a place, with the result that wecan no longer travel through that landscape withoutbeing reminded of what a great artist noticed there.Alternatively, if we complain that, for example, ourportrait does not look ‘like us’, we are not accusingits painter of trickery; we are simply suggesting thatthe process of selection that goes on in any work ofart has in this instance gone wrong, and that parts ofus that we think of as belonging to our essentialselves have not been given their due. Bad art mightthus be defined as a series of bad choices aboutwhat to show and what to leave out.

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