리뷰어가 네덜란드 작가,기자,음악 평론가던데 어제 공연 안좋게 본듯. 악평이네.-.-;

연주 감상이야 각자 기준에 따라 다르니까 혹평이나 호평인 리뷰 모두 여러가지 시각으로 볼수 있어서 좋은거 같음.

네덜란드어라 번역기 돌리니 이상해서 영어로 돌린거 올릴께..

링크 : http://www.volkskrant.nl/recensies/pianist-seong-jin-cho-moet-op-zoek-naar-een-eigen-stem~a4500482/

Pianist Seong-Jin Cho must look for his own voice

Concert (Classical) - Seong-Jin Cho

RECENSION Pianist Seong-Jin Cho replaces a piece of visionary Skrjabin by a flat-playing Chopin: a jam. Technically it's right, but Cho has to find his own voice

As impromptu Marco Riaskoff for a concert from his series of Master Pianists, the stage can come up with two things: advertising for a next concert or a change in the program. The latter was the case with Seong-Jin Cho (23) Masterpianist debut, winner of the Chopin Concours in 2015.

A 'small change for artistic reasons', according to Riaskoff, the promised Fifth piano sonata of Aleksandr Skrjabin was replaced by Chopin's First Challenge. When Cho reached the Concertgebouwstap, it fell apart as "Boe". Rightly so That the little-played sonate of the Russian visionary was replaced by a flat-playing Chopin was a conspiracy.

The South Korean, who left the audience for Gergjevian long time, began his recital with Mozart Sonate in f-big (KV 332). In his own mind - a showman is not him - he put in. Cho could make the piano sound smaller in this repertoire. In the frivolously played final part the raped nuts were loaded with a lot of pedals; They were lost in the hall of the Great Hall.

In Debussy's Images, he sought the sound of beauty in the sounds, but for the sake of cohesion, he seemed less aware. As a result, you got the impression that Cho offered a slideshow than he told a story. The tension was missing.

Certainly: Cho has the technical and substantive luggage to stand on this stage. But even in the four ballads of his body composer Chopin, you could hardly hear your own voice. A good reason to choose not just for standard repertoire.

+ 솔레아에서 올린 공연사진